What Are Stops On A Cinema Camera

The digital movie theatre photographic camera is the modern-day iteration of the traditional moving-picture show product camera. These cameras aim to reproduce the breadth and tonal qualities of celluloid while eliminating huge portions of the typical film workflow. Determining the best movie theater cameras on the market today can exist complicated.

At present, in addition to these workflow advantages, the image quality produced by today'south cinema cameras often meets or exceeds what is possible when shooting on flick. And that'southward not to mention the increase in artistic control yous go from shooting in a digital format.

At the end of this article, nosotros'll go over some of the special considerations unique to this form gene. But first, hither's our list of the best cinema cameras on the marketplace today.

The Editors' Selection accolade recognizes exceptional video production equipment, software and services. These products must help videographers be more constructive storytellers while being affordable, piece of cake to use and dependable. The products must likewise deliver a superior user feel.

Best all-around movie theatre camera

Sony FX3

The Sony FX3 is a feature-packed well-rounded camera. It's user-friendly because it's easy to employ. If you lot've shot videos with any kind of defended camera earlier, mirrorless or DSLR, yous'll feel correct at home using the FX3.

While the FX3 only captures upwards to UHD 4K, it still offers x-chip 4:ii:two internal capture or upwards to 16-bit RAW externally. The camera features a top frame rate of 240 frames per 2d in Hard disk and delivers fantastic 120fps in 4K. Also, the photographic camera'south dual menu slots are another not bad characteristic. It has dual media slots for either SD/SDHC/SDXC cards or the CFexpress Type A. Additionally, the Sony FX3 full-size XLR inputs. When photographic camera manufacturers offer mini XLR inputs, it's always a letdown. Videographer workflows become more than circuitous when cameras offer but mini XLR inputs. Thankfully, the FX3 offers full-size XLR inputs, making this a more than dynamic camera compared to mini-XLR input cameras. The camera too has an ISO range of fourscore to 406,600, five axis in-torso image stabilization, and 14+ stops of dynamic range. While Sony claims the camera has fifteen+, our testing didn't confirm this merits. Still, this isn't important because the prototype quality deviation between 15+ and xiv+ is very minimal.

The FX3 is 640 grams and 3.06 inches x v.11 inches x 3.33 inches. Information technology'south slightly heavier than the a7S III by 26 grams. Overall though, their sizes are like. However, the FX3's handle feels great to hold. With the handle, low-bending handheld shots are much easier to practise. Its rear screen is a 3 inch i,440,000-dot LCD and supports touch functions, similar navigating through the menu and touch on auto-focus.

The Sony FX3 is a well-rounded camera offering something for everyone. It's easy to pick upwards and shoots pro-quality video.

Best budget picture palace camera

Blackmagic Design Pocket Cinema 4K

The Blackmagic Pattern Pocket Cinema 4K uses a Micro Iv Thirds sensor to capture DCI 4K video with up to xiii stops of dynamic range. It's as well the showtime camera from Blackmagic Blueprint to feature dual native ISO. This should assist ameliorate the historically limited low-light operation in Blackmagic cameras.

The camera can record DCI 4K, UHD 4K and full HD video at standard frame rates, with off-speed frame rates of up to 60 frames per second (fps) in DCI 4K and 120 fps in windowed HD mode. Supported codecs include ten-bit ProRes and 12-flake CinemaDNG RAW.

With the addition of dual native ISO, the Pocket Cinema Camera 4K tin can shoot at ISOs up to 25600, a significant improvement over its predecessor. Blackmagic Design besides promises a reduced ingather gene with a 4/iii sensor specifically designed to match MFT lenses.

Best run-and-gun picture palace camera

Sony FX6

Offering both a compact form and cine-mode imaging, the Sony FX6 delivers on and then many fronts. Information technology's able to capture up to xv+ stops of dynamic range, uses the Sony S-Cinetone gamma, and upwards to 10-chip, four:two:2 XAVC-I recording. This camera uses a 4K full-frame Exmor R sensor paired alongside a BIONX XR Exmor R sensor with a BIONX XR engine. It uses a base ISO of 800 and features an ISO 12800 high-sensitivity mode aiding greatly in low calorie-free conditions.

The FX6 body is highly portable, weighing under ii lb, allowing yous to hold the camera with ease through your shoots. Additionally, the body measures 6 x four.6″, allowing for simple transportation. It too has features like phase-detection autofocus with both Confront Detection and real-time Eye autofocus. The camera offers both auto and transmission ND filter settings and a 3.five" LD monitor.

The Sony FX6 is a highly capable photographic camera that'southward easy to use throughout an unabridged shoot.

Special considerations for cinema cameras

Not all movie house cameras are created equal. Let'due south become over some of the well-nigh important features to wait for every bit you shop.

Class factor

Cinema cameras are designed to be truthful video-kickoff cameras. They come complete with the external controls and input/output options you'd normally discover on a professional camcorder. The nigh obvious difference from the exterior is the cinema camera's interchangeable lens. But even though cinema cameras look a lot similar camcorders, they produce an image that looks more like actual moving picture.

Larger than a DSLR or mirrorless camera, cinema cameras also have space for more accessory mounting points. This helps reduce reliance on full photographic camera rigs or cages. Cinema cameras unremarkably likewise have XLR inputs equally well as HDMI and/or SDI out for sending a clean video signal to an external recorder.

Dynamic Range

Ane of the main advantages of using a cinema photographic camera is the expanded dynamic range these cameras typically offer. A larger dynamic range means the camera captures deeper shadows and brighter highlights in the aforementioned shot without losing detail.

Movie theatre cameras are designed to capture video with a dynamic range that, at to the lowest degree, matches that of film: around 13 stops. Modern movie theater cameras tin reproduce 14 or more stops of dynamic range. This gives you a more cinematic paradigm and incredible flexibility during the color grading process.

Cinema cameras are designed to capture video with a dynamic range that, at least, matches that of motion picture: around xiii stops.

Sensor size and dynamic range

One way camera makers achieve this is through the use of larger sensors with larger pixels. This allows the sensor to assemble more low-cal at in one case, which increases low-light performance and reduces noise. It also allows each pixel to take more than light before beginning to prune from overexposure. That means you get more information in both the shadows and the highlights.

ISO and dynamic range

ISO is a factor hither as well. Cameras capture the least noise at their native ISO. Therefore, this is also the bespeak at which they capture the greatest dynamic range. At the native ISO, cameras can capture deeper shadows before noise is introduced. Some movie house cameras at present feature dual native ISO. This feature originated in peak-terminate, Hollywood level movie theatre cameras and is at present trickling downward into more accessible photographic camera models.

Recording Formats

Cinema cameras volition typically offer a number of high-quality codecs to fit diverse workflows. ProRes and DNxHD codecs are especially common, and some kind of raw recording is now all but standard.

As you lot shop, expect for recording formats that give you enough information to freely grade and composite in post-product. Just make sure they don't bog downwards your workflow.

RAW recording

Raw recording captures unaltered information directly from the sensor to provide maximum flexibility for color grading and compositing in mail service-production. It preserves all of the dynamic range and colour information captured by the sensor. Raw footage does require postal service-processing, however, and takes upwards a lot more than space on a storage bulldoze. Near times, you'll need an external recorder to capture raw video.

Log moving picture profiles

Logarithmic picture profiles, commonly referred to as log, offer a more practical alternative to shooting raw. Log moving-picture show profiles assign exposure values along a logarithmic curve rather than a linear curve. This process produces a flat image that preserves more color information and particular in the shadows and highlights. In mail-production, colorists apply a LUT to transform this extra-flat footage to a more natural-looking colour infinite.

Flake depth and color reproduction

Connected to this are color science and flake depth. Each photographic camera manufacturer has adult a particular way of capturing and recording color information. That'due south why Sony cameras produce an image that looks different from i out of a Catechism photographic camera, even if all the settings lucifer.

However, what's more important is the corporeality of color information a camera can tape. Typical consumer cameras and about DSLR and mirrorless cameras are limited to recording at a bit depth of 8 $.25. Cinema cameras, notwithstanding, oftentimes capture 10-, 12- or even 14-bit video when shooting in a high-quality codec or raw format. Once more, information technology'south all about flexibility. The more than color information your camera can deliver, the more latitude you will have in post-production. This, in turn, means yous'll be better able to craft a unique look for your finished video.

Additional cinema camera controls and settings

Since cinema cameras aim to requite the DP ultimate creative control, they ofttimes include some handy bonus features. Higher maximum frame rates let for slow-motility recording, and anamorphic de-squeezing helps when working with anamorphic lenses. Global shutter is another feature that allows cinema photographic camera to behave more than like traditional pic cameras. This also eliminates rolling shutter issues that crusade directly lines to curve during quick pans. In general, these extras are there to make it easier to capture the desired prototype.

Final thoughts

While these features assistance distinguish movie house cameras from other camera types, it's notwithstanding important to consider universal features like sensor size, resolution, and connectivity. Yous'll also need to think almost how the camera will fit into your existing kit and production workflow. For an overview of the virtually important features, read How to purchase a camera.

In one case yous know what you need, yous can choice out an awesome photographic camera perfect for your next production.

Source: https://www.videomaker.com/buyers-guide/best-cinema-cameras/

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